CCWN 75:20 The steady tone output should also have a very light, rapid clicking sound in the background. If you have provided balance controls, adjust them alternately for the best null. Rotate the phase select switch over its entire range. No noticeable change in output should occur at any position. Now introduce a very small signal input at precisely the center frequency of the filter. (This is exactly h the frequency of the TTL switching signal used for the input mixer.) The level of this input should be from 10 to 30 millivolts. Whenever this signal is connected, you should hear a pronounced rise in the amplitude of the audio output, and this output will be noticeably delayed from the input when you connect and disconnect it. If you now connect a low-level non-coherent signal from your receiver into the filter, you should hear low-level, random pulsing tones in the output. When operating the filter on the air, it is extremely important that the desired signal level not exceed about 50 millivolts. Otherwise, the filter will be saturated and will not function properly. Undesired signals can be permitted to reach 1 or 2 volts, and the filter will reject them satisfactorily. The CCW filter can provide an a.g.c. voltage which is compatible with the i.f. amplifier shown in Wes Hayward's CCW receiver (CCWN 75:3). If four diodes are connected to pins, 1, 7, 8, and 14 of the output LM324 as shown in Figure 5, this output plus a simple operational amplifier buffer will provide an excellent gain control. On-the-air operation is simple, and exacting. Both the frequency of the incoming signal and the timing of the signal must be precisely matched to your receiver frequency and the filter timing. If you are using a receiver in which every frequency-generating circuit is phase locked onto your 4-Mhz master standard (such as the CCWN Coherent receiver design), and you have your standard set precisely to WWV, the only adjustment you need to make is the filter timing, with the 10 position phase control. Our standard procedure for a station calling CQ is to send a string of dits for at least 30 seconds followed by "CQ DE W7GHM." If you hear a sudden rise in filter output which lasts for more than a second or two (either a steady tone, a pulsing tone, or a dit string), adjust the phase control for maximum contrast between the spaces and the dits. You now are synchronized, and when he calls, "CQ" you should hear it clearly.